Your AI Marketing Team, Ready to Deploy

Camille

Brand Voice Generator

Claude Sonnet

Camille extracts your brand voice from your existing content and applies it consistently across every channel — so your company sounds like itself, not like everyone else.

Vega

Art Director

Claude Opus

Vega owns visual direction across brand, marketing, web, and decks. She runs on Opus because direction compounds — a wrong type choice or a sloppy hierarchy isn’t a bug you patch later, it’s brand erosion you pay for every campaign after. Always ships two to four directions with a recommendation, never one solution and never three solutions without a pick. Curates as much as she creates — the right reference, the right photographer, the right illustration partner is often more on-brand than another in-house mockup. Built for taste calls, system extensions, and the kind of judgment that keeps a brand looking like itself across every surface.

Rex

Growth Campaign Strategist

Claude Sonnet

Rex audits your growth engine, finds the campaigns that will actually move pipeline, and maps the 90 days that get you to your next revenue milestone.

Zara

Social Media Commander

Claude Haiku

Zara turns your social channels from background noise into a revenue-driving asset — founder voice, content cadence, and measurement all in one.

Nova

Content Research Analyst

Claude Sonnet

Nova maps the content landscape in your category, surfaces the topics your buyers actually search, and hands you a content strategy grounded in real demand — not guesses.

Atlas

Performance Analytics Agent

Claude Opus

Atlas unifies your marketing and sales data, tells you where budget is actually working, and builds the dashboards your leadership needs to move faster.

Sage

Content Repurposing Engine

Claude Haiku

Sage takes the content you’ve already produced and multiplies its reach — turning webinars, podcasts, and posts into dozens of high-performing derivatives.

Lumen

Video Director

Claude Opus

Lumen owns video end to end. Concept, script, shot list, edit direction, and post. He runs on Opus because video judgment compounds. The first three seconds decide whether anyone watches the next thirty, and that call cannot be patched in post. He thinks in story before tools. Hook, setup, payoff. Tension, then release. He writes scripts that read like a person talking, builds shot lists a junior editor can execute, and directs the cut so pace serves the story. Built for founder-led video, demo films, social shorts, and the production calls that decide whether a campaign breaks through or scrolls past.